Carpets And Rugs #768670

bakhtiary 0004

carpet no(type n reference): 0004

origin (state, province): central persia

size: 222 x 143 cm from sh.sameyeh oriental carpet catalogue page no.190

age: 2nd quarter of 20th century

category: central persia

description of design and history:

persian bakhtiari rugs antique persian bakhtiari rugs are among the more intriguing and distinct styles of antique persian rugs, boasting a fascinating historical heritage and expressing a unique aesthetic ideal. Bakhtiari rugs and carpets are one of the few types and styles of antique rugs that encompasses nomadic tribal as well as urban antique persian rug design; most antique persian rug styles will be expressive of either one aesthetic or the other, but only very rarely will it be expressive of both.

many persian bakhtiari rugs and carpets are in fact tribal carpets that rely upon a repertoire of abstract geometric and animal motives. But the persian bakhtiari rug weavers are also acclaimed for their ability to produce sophisticated medallion allover, and garden designs of classical persian inspiration, with an added vitality and boldness.

the wool quality and rich color of the bakhtiari rug is also notable, whether they utilize an urban or more tribal design idiom. Some antique bakhtiari rugs feature especially vibrant and expressive urban persian rug designs, steeped in classical beauty and resplendent with traditional, classical design elements. Often, when a bakhtiari rug features a sophisticated composition like this, it will be characterized by impeccable line work and precise drawing. Detail elements tend tone crisp and distinct, with the pattern beautifully articulated. A unique style of antique rugs, persian bakhtiari rugs and carpets are an exciting style.

all natural dyes are paramount for the carpet to have more than just decorative value. Beyond that, various dyers had varying levels of skill and invested different lengths of time in dyeing the yarns. the quality of colorits radiance and level of nuance within each coloris centrally important. certain rare colors such as tyrian purple, saffron yellow, cochineal rose and greens add to the carpets value

The dyes of Kerman are the most varied and imaginative. The dying process is done while the wool is still in the flock, before spinning, allowing for more uniformity of color. The dyers of Kerman are renowned for their skill in producing light shades of color. Kerman is also noted for its distinctive late 16th century to mid-17th century carpets called ‘vase carpets’. This term refers to a design of all-over stylized flowers and oversized palmettes with vases placed at intervals throughout the field. Kermans are woven in all rug sizes and the foundation is often cotton. To the north of Kerman is the village of Ravar where Laver Kerman rugs are made. These rugs are rarer than Kermans and the name is used as a distinction of quality.

Among all Persian rugs, none may be argued to be more elegant and refined as those produced in the city of Kerman. Kerman rugs often feature traditional Persian reds and blues or variations thereof and are nearly always floral and curvilinear in design. The fineness and quality antique rugs of Kerman weaves in combination with their traditional Persian floral designs make them ideal for those wishing to add grace and grandeur to the formal spaces of their home.

All natural dyes are paramount for the carpet to have more than just decorative value. Beyond that, various dyers had varying levels of skill and invested different lengths of time in dyeing the yarns.  The “quality of color”–its radiance and level of nuance within each color–is centrally important.  Certain rare colors such as Tyrian purple, saffron yellow, cochineal rose and greens add to the carpet’s value

Antique Kashan Rugs are among the very finest Persian rugs and carpets. Kashan was a center of silk production since Safavid times and some of the best classical Persian silk rugs have been attributed to Kashan. At the end of the nineteenth century the weavers there began to produce high quality rugs and carpets as well, which continued the high standards of design and technique established in the classical era. The very best antique Kashans carpets are known as Motashem Kashan. They often have medallion designs, but allover Kashans are not uncommon. The palette can be deep and rich in the classical tradition, or it can utilize softer hues appropriate to modern decor.

Though Kashan is now removed from the commercial trade route of Persia, it used to be the largest city in the northwest, and virtually all traffic between Esfahan and the east passed through it. Because of this important location Kashan became the popular stop on a bustling trade route during the Safevid Era. In modern times, nearby mountain ranges prohibit trucks from traveling the route that caravans had so often ventured. During this era in which carpet weaving flourished in Persia, Kashan developed a reputation as one of the finest weaving centers of the east.

Most books on antique Kashan rugs, its history, its art and its artists, its architecture, ceramics, glass, metals, and its textile art and industry, mention a large number of masters and artists, but with regards to carpets, master weavers and laboratories there are only a few references. Signed carpets, for this reason, also become a key instrument of research. By analyzing the structure and decoration, it becomes possible to establish the characteristics of a specific production type. Once this has been identified, other non-signed pieces can be attributed with certainty. It is using this method that many carpets can be attributed to Mohtasham.
this beutiful kashan example wonen by master weaver Mr. Dabir Sanayee.

All natural dyes are paramount for the carpet to have more than just decorative value. Beyond that, various dyers had varying levels of skill and invested different lengths of time in dyeing the yarns.  The “quality of color”–its radiance and level of nuance within each color–is centrally important.  Certain rare colors such as Tyrian purple, saffron yellow, cochineal rose and greens add to the carpet’s value

Senneh Rugs, produced in Northwest Persia, are prized for their fine, delicate design and their distinctive, weaving technique. Sennehs come in a range allover and medallion patterns, and consequently it is their weave rather than their design that sets them apart. But whatever their design, Senneh rugs and carpets always display a precise, crisp somewhat geometric drawing that corresponds to the precision of the weave. Colors tend to be varied and rich, but soft as well.

Antique Senneh rugs are best known for scatter-sizes that make excellent decorative accent rugs, but they come as decorativein room-sized carpets as well. Certain of the more robust, tribal-looking antique Senneh rugs were probably woven by Kurds.

The finest examples of antique Senneh rugs were created in the mid-1800’s during a golden age of regional carpet production. The exquisite use of color, the fabulous patterns, the outstanding materials and the unique construction techniques make antique Senneh rugs some of the finest produced in Persia outside of royal manufactories. Senneh has a long history of carpet production before commercial companies and exporters entered the market. The carpets of Senneh are unique in their single-weft construction and use of interlaced warps. Even the yarns used in Senneh rugs are of the finest quality and are spun very tightly. The tightly knotted structure produces a very fine and durable surface that is distinguished by a rough, bumpy back.

The village of Senneh, also called Sanandaj, is located in the unofficial province of Iranian Kurdistan. Sennah is also a regional dialect. For these reasons, Senneh carpets are often attributed to Kurdish weavers. Many of the best antique Senneh rugs feature traditional patterns, such as the Gol-i-Bolbol, which have been used in the area for centuries. Antique Senneh carpets are tastefully colored, beautifully composed relics of an era represented by unmatched quality and craftsmanship that is coveted today.

All natural dyes are paramount for the carpet to have more than just decorative value. Beyond that, various dyers had varying levels of skill and invested different lengths of time in dyeing the yarns.  The “quality of color”–its radiance and level of nuance within each color–is centrally important.  Certain rare colors such as Tyrian purple, saffron yellow, cochineal rose and greens add to the carpet’s value

Senneh Rugs, produced in Northwest Persia, are prized for their fine, delicate design and their distinctive, weaving technique. Sennehs come in a range allover and medallion patterns, and consequently it is their weave rather than their design that sets them apart. But whatever their design, Senneh rugs and carpets always display a precise, crisp somewhat geometric drawing that corresponds to the precision of the weave. Colors tend to be varied and rich, but soft as well.

Antique Senneh rugs are best known for scatter-sizes that make excellent decorative accent rugs, but they come as decorativein room-sized carpets as well. Certain of the more robust, tribal-looking antique Senneh rugs were probably woven by Kurds.

The finest examples of antique Senneh rugs were created in the mid-1800’s during a golden age of regional carpet production. The exquisite use of color, the fabulous patterns, the outstanding materials and the unique construction techniques make antique Senneh rugs some of the finest produced in Persia outside of royal manufactories. Senneh has a long history of carpet production before commercial companies and exporters entered the market. The carpets of Senneh are unique in their single-weft construction and use of interlaced warps. Even the yarns used in Senneh rugs are of the finest quality and are spun very tightly. The tightly knotted structure produces a very fine and durable surface that is distinguished by a rough, bumpy back.

The village of Senneh, also called Sanandaj, is located in the unofficial province of Iranian Kurdistan. Sennah is also a regional dialect. For these reasons, Senneh carpets are often attributed to Kurdish weavers. Many of the best antique Senneh rugs feature traditional patterns, such as the Gol-i-Bolbol, which have been used in the area for centuries. Antique Senneh carpets are tastefully colored, beautifully composed relics of an era represented by unmatched quality and craftsmanship that is coveted today.

All natural dyes are paramount for the carpet to have more than just decorative value. Beyond that, various dyers had varying levels of skill and invested different lengths of time in dyeing the yarns.  The “quality of color”–its radiance and level of nuance within each color–is centrally important.  Certain rare colors such as Tyrian purple, saffron yellow, cochineal rose and greens add to the carpet’s value

Beautiful and Fine Antique Persian Sarouk Farahan Rugs

Persian Antique Sarouk Farahan Rugs – Antique Persian Farahan Sarouk rugs and carpets that were woven in / around the region called Arak in west central Iran, are remarkable for their ability to combine different qualities and sensibilities. The medallion design customary on so-called Sarouk-Farahans is classically Persian, as is all the minor detail. But the drawing is an interesting combination of suave curve-linearity and geometric styles.

Farahan Sarouk rugs often come close to the angular drawing of Herizes and Serapis, but a much finer scale appropriate to designs of classical derivation. This delicacy of design relates closely to the weaving technique of Farahans, which is relatively tight and fine. The coloration of Sarouk Farahan rugs and carpets tend to be rich yet soft, with emphasis on terracotta reds, delicate blues and greens, and pastel apricots and yellows.

All natural dyes are paramount for the carpet to have more than just decorative value. Beyond that, various dyers had varying levels of skill and invested different lengths of time in dyeing the yarns.  The “quality of color”–its radiance and level of nuance within each color–is centrally important.  Certain rare colors such as Tyrian purple, saffron yellow, cochineal rose and greens add to the carpet’s value

Nain is a small village located in central Iran that has relatively recently become a renowned center for carpet weaving. Production began here in the 1930’s. Although Nain rugs are not as old as many of the traditional Persian rugs, they retain their value in terms of construction. These rugs are often grandiose in scale, many exceeding 25 feet in length. They are also exquisite in design due to their use of silk in weaving both the foundation and fine pile of many rugs from the area.

Though located not far from Isfahan, Nain was not involved in rug production until the period between the two world wars. Though it started late, Nain rapidly achieved prominence for the production of rugs in the classical tradition of nearby Isfahan, generally with medallion designs. But with knot counts of more than 800 per square inch, Nain rugs soon became almost legendary for their exceptional fineness. The pile of Nains is almost always of rather soft wool, although they make distinctive use of ivory silk to outline the various forms of the design.

More recently, they have begun to use silk for the warps, and one may come across the occasional all-silk Nain as well. Since not many of them were ever imported, Nains are among the rarest Persian rugs in the United States.

Woven by skilled artisans, Persian Nain rugs are highly sought after. They are made with beautifully muted colors, predominantly beige and navy. Light blue, burgundy, and green are used occasionally. They are woven using the Persian knot. Iranian Nains usually have a cotton warp, however sometimes silk warps are used. The pile is characteristically wool, but weavers may use silk or accent with silk. A featured characteristic is the centered medallion, which is at times adorned with floral motifs and animals, mostly birds.

The standard used to determine the quality of a Nain rug is the measurement of LAA, the number of threads forming each fringe at the end of the rug. They are exquisitely woven with the Persian knot, with an average of 300 knots per square inch. The higher the knots per square inch and the lower the LAA, the higher the quality and the price of a Nain rug is.

Iranian Nain rugs are created in Iran in the town of Nain or in nearby areas. Style and design of the Nains is heavily influenced by the Isfahan weavers, but they are easily distinguishable by the colors used. Elegant and understated, the Persian Nain rug is highly desirable and a testament to the craftsmanship of the area.

All natural dyes are paramount for the carpet to have more than just decorative value. Beyond that, various dyers had varying levels of skill and invested different lengths of time in dyeing the yarns.  The “quality of color”–its radiance and level of nuance within each color–is centrally important.  Certain rare colors such as Tyrian purple, saffron yellow, cochineal rose and greens add to the carpet’s value

Antique Isfahan Rugs (or Esfahans Rugs) , claim a very proud tradition among Persian rugs going back to Safavid times in the seventeenth century. Isfahan was then the capital of Persia and many of the court quality carpets of this period that survive today have been attributed to Isfahan. Their designs consist of sublimely delicate patterns of arabesque tendrils, palmettes, and cloud-bands in rich magentas, blues, and saffron golds. 19th century and early twentieth century antique oriental rugs from Isfahan continued the style and consummate technical virtuosity of their classical forerunners, although often with a softer, more decorative palette.

After Isfahan’s success in the garment industry, they expanded their knack for producing fine textiles by weaving some of the greatest rugs ever made in Persia. The city has long been a breeding ground for master weavers. The most famous of these is Sadegh Seirafian who spawned an Isfahan rug weaving dynasty that continues today. Antique Isfahan rugs feature enrapturing designs and luxurious materials that were also used to manufacture garments. Many of the finer carpets from the workshops of master weavers used silk wefts. However, the city’s earliest Isfahan rugs used fine hand-spun cotton.

The weavers and artists in Isfahan gathered inspiration from Persia’s best achievements. They borrowed dramatic spiraling vine-scrolls with deeply re-curved tendrils from the city’s famous buildings. They also featured archetypal Persian designs that were inspired by the art and architecture of Shah Abbas, who ruled the Safavid Empire at its height. Antique Persian rugs from Isfahan incorporate flamboyant architectural medallions and unparalleled arabesques, but the city has another side too. Isfahan rugs and illustrate scenes from Persia’s outstanding literary works. The rugs of Isfahan are exceptionally attractive, captivating and classically Persian. These traits have made antique Isfahan rugs sought after by designers and collectors seeking Persia’s most iconic and archetypal rugs.All natural dyes are paramount for the carpet to have more than just decorative value. Beyond that, various dyers had varying levels of skill and invested different lengths of time in dyeing the yarns.  The “quality of color”–its radiance and level of nuance within each color–is centrally important.  Certain rare colors such as Tyrian purple, saffron yellow, cochineal rose and greens add to the carpet’s value

Antique Kazvin rugs (alternate spelling: Gazvin) : Historically, antique Persian rugs have been woven in a wide array of styles. As an art form of great cultural and national importance, rug-making in Persia has given the world an astonishing variety of examples, each distinct from the last. Among Persian rug styles, the Kazvin or Gazvin is one of the most interesting. Historically, Gazvin rugs or (also called Kazvin rugs) have been produced in an area approximately 90 miles west of Tehran. This was the longstanding and historic origin point of Kazvin rugs until about the early twentieth century; by the 1930’s, this was no longer the case.

These distinct Persian antique rugs are generally characterized by sinuous, curvilinear patterns, with shades of crimson and blue predominating the background, and with a lovely ivory hue employed to create a beautiful contrast. Gazvin or Kazvin rugs and carpets are, generally speaking, mid-sized (or room-sized) pieces, general measuring between four and a half feet and just about nine feet in length. Kazvin rugs use both Persian and Turkish knots and use soft wool in thin, tight piles, making them unique and fascinating antique Oriental rugs.All natural dyes are paramount for the carpet to have more than just decorative value. Beyond that, various dyers had varying levels of skill and invested different lengths of time in dyeing the yarns.  The “quality of color”–its radiance and level of nuance within each color–is centrally important.  Certain rare colors such as Tyrian purple, saffron yellow, cochineal rose and greens add to the carpet’s value

Antique Tabriz rugs are distinguished by their excellent weave and by their remarkable adherence to the classical traditions of antique Persian rug design. But they cannot be distinguished by any particular pattern or by their coloration. The city of Tabriz, in northwest Iran / Persia , was the earliest capital of the Safavid dynasty, and it can claim to have been a center of carpet production longer than any other city in Iran. Consequently, it is not surprising that the carpets woven there have been able to preserve the highest technical standards and the most varied repertoire. Antique Tabriz rugs offer classical medallion designs and a host of allover patterns as well in every color imaginable, from brilliant rich tones to soft pastels. What sets them apart from other Persian rugs is their quality.

Tabriz is the capital of Azerbaijan, a province in the north of Iran. It has survived repeated destruction by numerous earthquakes and invasions by the Mongols, Tamerlane, Ottomans and Afghans, as well as two Russian occupations. During the late 19th century three Persian master-weavers, Haji Jalili, Sheik Safi and Kurban Dai contributed to Tabriz’s revival and Tabriz rug merchants began exporting Persian antique rugs to Western markets on a large scale. There is no traditional color scheme and the variety of color is limitless, ranging from rich jewel tones to subtle pastels. Tabriz rugs are precisely drawn and executed with care making them extremely popular among designers.

Traditionally, Tabriz has been a city of master weavers. The ateliers in this influential carpet-weaving city established a strong reputation for classicism and quality that is still respected today. Regional carpets feature effortless curve-linear designs, Safavid emblems, allover Herati (fish) patterns, spectacular medallions and masterful motifs of all shapes and sizes.

Antique Tabriz rugs have been sought after by rug aficionados for decades. They are not only one of the finest groups of Persian rugs to have been produced in Persia and they are extremely decorative as well. The rugs of Tabriz are among the most beautiful and most desirable of antique Persian rugs, and have been manufactured in the Azeri speaking area of Northern Iran continuously for centuries.

All natural dyes are paramount for the carpet to have more than just decorative value. Beyond that, various dyers had varying levels of skill and invested different lengths of time in dyeing the yarns.  The “quality of color”–its radiance and level of nuance within each color–is centrally important.  Certain rare colors such as Tyrian purple, saffron yellow, cochineal rose and greens add to the carpet’s value

Antique Kashan Rugs are among the very finest Persian rugs and carpets. Kashan was a center of silk production since Safavid times and some of the best classical Persian silk rugs have been attributed to Kashan. At the end of the nineteenth century the weavers there began to produce high quality rugs and carpets as well, which continued the high standards of design and technique established in the classical era. The very best antique Kashans carpets are known as Motashem Kashan. They often have medallion designs, but allover Kashans are not uncommon. The palette can be deep and rich in the classical tradition, or it can utilize softer hues appropriate to modern decor.

Though Kashan is now removed from the commercial trade route of Persia, it used to be the largest city in the northwest, and virtually all traffic between Esfahan and the east passed through it. Because of this important location Kashan became the popular stop on a bustling trade route during the Safevid Era. In modern times, nearby mountain ranges prohibit trucks from traveling the route that caravans had so often ventured. During this era in which carpet weaving flourished in Persia, Kashan developed a reputation as one of the finest weaving centers of the east.

Most books on antique Kashan rugs, its history, its art and its artists, its architecture, ceramics, glass, metals, and its textile art and industry, mention a large number of masters and artists, but with regards to carpets, master weavers and laboratories there are only a few references. Signed carpets, for this reason, also become a key instrument of research. By analyzing the structure and decoration, it becomes possible to establish the characteristics of a specific production type , Once this has been identified, other non-signed pieces can be attributed with certainty. It is using this method that many carpets can be attributed to Mohtasham.

All natural dyes are paramount for the carpet to have more than just decorative value. Beyond that, various dyers had varying levels of skill and invested different lengths of time in dyeing the yarns.  The “quality of color”–its radiance and level of nuance within each color–is centrally important.  Certain rare colors such as Tyrian purple, saffron yellow, cochineal rose and greens add to the carpet’s value

Antique Tabriz rugs are distinguished by their excellent weave and by their remarkable adherence to the classical traditions of antique Persian rug design. But they cannot be distinguished by any particular pattern or by their coloration. The city of Tabriz, in northwest Iran / Persia , was the earliest capital of the Safavid dynasty, and it can claim to have been a center of carpet production longer than any other city in Iran. Consequently, it is not surprising that the carpets woven there have been able to preserve the highest technical standards and the most varied repertoire. Antique Tabriz rugs offer classical medallion designs and a host of allover patterns as well in every color imaginable, from brilliant rich tones to soft pastels. What sets them apart from other Persian rugs is their quality.

Tabriz is the capital of Azerbaijan, a province in the north of Iran. It has survived repeated destruction by numerous earthquakes and invasions by the Mongols, Tamerlane, Ottomans and Afghans, as well as two Russian occupations. During the late 19th century three Persian master-weavers, Haji Jalili, Sheik Safi and Kurban Dai contributed to Tabriz’s revival and Tabriz rug merchants began exporting Persian antique rugs to Western markets on a large scale. There is no traditional color scheme and the variety of color is limitless, ranging from rich jewel tones to subtle pastels. Tabriz rugs are precisely drawn and executed with care making them extremely popular among designers.

Traditionally, Tabriz has been a city of master weavers. The ateliers in this influential carpet-weaving city established a strong reputation for classicism and quality that is still respected today. Regional carpets feature effortless curve-linear designs, Safavid emblems, allover Herati (fish) patterns, spectacular medallions and masterful motifs of all shapes and sizes.

Antique Tabriz rugs have been sought after by rug aficionados for decades. They are not only one of the finest groups of Persian rugs to have been produced in Persia and they are extremely decorative as well. The rugs of Tabriz are among the most beautiful and most desirable of antique Persian rugs, and have been manufactured in the Azeri speaking area of Northern Iran continuously for centuries.All natural dyes are paramount for the carpet to have more than just decorative value. Beyond that, various dyers had varying levels of skill and invested different lengths of time in dyeing the yarns.  The “quality of color”–its radiance and level of nuance within each color–is centrally important.  Certain rare colors such as Tyrian purple, saffron yellow, cochineal rose and greens add to the carpet’s value

Persian Semnan Rugs / Meshad Rugs – Antique Persian rugs range tremendously in style and design, a result of the long and important rug-making tradition that has been part of Persian society for centuries.
Almost every region of Persia (which is coterminous with modern day Iran) has its own particular style and method for weaving fine rugs and carpets, and it can be amazing to behold this tremendous range. Among the traditional styles of Persian rugs, one of the most interesting is the SEMNEN style, which is itself a Khorassan style. Mashad itself is a holy city in the Iranian province of Khorassan (from which the Khorassan style derives its name), which is situated in eastern Iran. Mashad is particularly important to practicing Muslims, as it was home the eighth Imam, who died and was buried there. Millions make the pilgrimage to Mashad every year.

Antique rugs and carpets produced in Semnan / Mashad in the traditional style are notable for several reasons, and are relatively easily identified based on several different characteristics. First, Meshad rugs tend to be larger pieces. They also tend to feature a large, elaborate central medallion – a characteristic that is not unique to Mashad rugs, but that is nevertheless important. Further, Meshad /semnan carpets and rugs tend to possess a certain softness, especially compared to other Khorassan rugs – the quality of the wool used by the rug-makers of Mashad is second to none. Known for their beauty and their quality, which is assuredly second to none, Meshad rugs remain very desirable in the rug world of today, centuries after they were first woven.All natural dyes are paramount for the carpet to have more than just decorative value. Beyond that, various dyers had varying levels of skill and invested different lengths of time in dyeing the yarns.  The “quality of color”–its radiance and level of nuance within each color–is centrally important.  Certain rare colors such as Tyrian purple, saffron yellow, cochineal rose and greens add to the carpet’s value

Nain is a small village located in central Iran that has relatively recently become a renowned center for carpet weaving. Production began here in the 1930’s. Although Nain rugs are not as old as many of the traditional Persian rugs, they retain their value in terms of construction. These rugs are often grandiose in scale, many exceeding 25 feet in length. They are also exquisite in design due to their use of silk in weaving both the foundation and fine pile of many rugs from the area.

Though located not far from Isfahan, Nain was not involved in rug production until the period between the two world wars. Though it started late, Nain rapidly achieved prominence for the production of rugs in the classical tradition of nearby Isfahan, generally with medallion designs. But with knot counts of more than 800 per square inch, Nain rugs soon became almost legendary for their exceptional fineness. The pile of Nains is almost always of rather soft wool, although they make distinctive use of ivory silk to outline the various forms of the design.

More recently, they have begun to use silk for the warps, and one may come across the occasional all-silk Nain as well. Since not many of them were ever imported, Nains are among the rarest Persian rugs in the United States.

Woven by skilled artisans, Persian Nain rugs are highly sought after. They are made with beautifully muted colors, predominantly beige and navy. Light blue, burgundy, and green are used occasionally. They are woven using the Persian knot. Iranian Nains usually have a cotton warp, however sometimes silk warps are used. The pile is characteristically wool, but weavers may use silk or accent with silk. A featured characteristic is the centered medallion, which is at times adorned with floral motifs and animals, mostly birds.
The standard used to determine the quality of a Nain rug is the measurement of LAA, the number of threads forming each fringe at the end of the rug. They are exquisitely woven with the Persian knot, with an average of 300 knots per square inch. The higher the knots per square inch and the lower the LAA, the higher the quality and the price of a Nain rug is.

Iranian Nain rugs are created in Iran in the town of Nain or in nearby areas. Style and design of the Nains is heavily influenced by the Isfahan weavers, but they are easily distinguishable by the colors used. Elegant and understated, the Persian Nain rug is highly desirable and a testament to the craftsmanship of the area.

All natural dyes are paramount for the carpet to have more than just decorative value. Beyond that, various dyers had varying levels of skill and invested different lengths of time in dyeing the yarns.  The “quality of color”–its radiance and level of nuance within each color–is centrally important.  Certain rare colors such as Tyrian purple, saffron yellow, cochineal rose and greens add to the carpet’s value

Antique Hamadan Rugs (also spelled Hamedan ) – Hamadan is the capital of an eponymous province, and it’s one of the oldest cities in Persia. It’s also one of Persia’s most productive and diverse weaving centers. Over the years, many refugees, minorities and ethnic groups have inhabited the area. Like other cities in the western part of Persia, Hamadan produced fine, coarse carpets that are made with the symmetric Ghiordes or Turkish knot. Due to the sheer number of villages in the province of Hamadan and the area’s ethnic diversity, many unique designs are featured in these regional rugs.

Traditionally, Hamadan has been a center for commercial carpet production. Unlike other areas that incorporated westernized styles, antique rugs from Hamadam feature localized designs that are occasionally limited to individual villages. The fragmented ethnic groups that have historically lived in Hamadan include Kurds, Azeri Turks and Islamic people. Antique Hamadan rugs traditionally favor angular designs although large-scale arabesques and curvilinear motifs are also found. They are closely related to rugs produced in the neighboring areas of Bibakabad, Shiraz, Lilihan and dozens of cities that produce local styles.

Regional rugs incorporate the curve-linear designs of central Persia and the angular symbols of the Caucasus in an elegant, classic manner. The single-weft structure used in Hamadan produces a coarse yet substantial surface. Regional rugs incorporate rich blues and dark scarlet reds that use ivory and soft neutrals for contrast. The classic style of antique Hamadan rugs makes them versatile design pieces and perennial favorites that are beloved by collectors and designers.

Antique Hamadan (Hamedan) rugs, generally produced in scatter sizes drew extensively upon the tribal weaving traditions of Iran. Initially an offshoot of Kurdish village weaving in the area, Hamadans became one of the most widely exported types of small Persian rugs in the earlier twentieth century because they encompassed such a wide range of tribal designs and decorative effects. All natural dyes are paramount for the carpet to have more than just decorative value. Beyond that, various dyers had varying levels of skill and invested different lengths of time in dyeing the yarns.  The “quality of color”–its radiance and level of nuance within each color–is centrally important.  Certain rare colors such as Tyrian purple, saffron yellow, cochineal rose and greens add to the carpet’s value.

Antique Tabriz rugs are distinguished by their excellent weave and by their remarkable adherence to the classical traditions of antique Persian rug design. But they cannot be distinguished by any particular pattern or by their coloration. The city of Tabriz, in northwest Iran / Persia , was the earliest capital of the Safavid dynasty, and it can claim to have been a center of carpet production longer than any other city in Iran. Consequently, it is not surprising that the carpets woven there have been able to preserve the highest technical standards and the most varied repertoire. Antique Tabriz rugs offer classical medallion designs and a host of allover patterns as well in every color imaginable, from brilliant rich tones to soft pastels. What sets them apart from other Persian rugs is their quality.

Tabriz is the capital of Azerbaijan, a province in the north of Iran. It has survived repeated destruction by numerous earthquakes and invasions by the Mongols, Tamerlane, Ottomans and Afghans, as well as two Russian occupations. During the late 19th century three Persian master-weavers, Haji Jalili, Sheik Safi and Kurban Dai contributed to Tabriz’s revival and Tabriz rug merchants began exporting Persian antique rugs to Western markets on a large scale. There is no traditional color scheme and the variety of color is limitless, ranging from rich jewel tones to subtle pastels. Tabriz rugs are precisely drawn and executed with care making them extremely popular among designers.

Traditionally, Tabriz has been a city of master weavers. The ateliers in this influential carpet-weaving city established a strong reputation for classicism and quality that is still respected today. Regional carpets feature effortless curve-linear designs, Safavid emblems, allover Herati (fish) patterns, spectacular medallions and masterful motifs of all shapes and sizes.

Antique Tabriz rugs have been sought after by rug aficionados for decades. They are not only one of the finest groups of Persian rugs to have been produced in Persia and they are extremely decorative as well. The rugs of Tabriz are among the most beautiful and most desirable of antique Persian rugs, and have been manufactured in the Azeri speaking area of Northern Iran continuously for centuries.

All natural dyes are paramount for the carpet to have more than just decorative value. Beyond that, various dyers had varying levels of skill and invested different lengths of time in dyeing the yarns.  The “quality of color”–its radiance and level of nuance within each color–is centrally important.  Certain rare colors such as Tyrian purple, saffron yellow, cochineal rose and greens add to the carpet’s value

Persian Bakhtiari Rugs – Antique Persian Bakhtiari rugs are among the more intriguing and distinct styles of antique Persian rugs, boasting a fascinating historical heritage and expressing a unique aesthetic ideal. Bakhtiari rugs and carpets are one of the few types and styles of antique rugs that encompasses nomadic tribal as well as urban antique Persian rug design; most antique Persian rug styles will be expressive of either one aesthetic or the other, but only very rarely will it be expressive of both.

Many Persian Bakhtiari rugs and carpets are in fact tribal carpets that rely upon a repertoire of abstract geometric and animal motives. But the Persian Bakhtiari rug weavers are also acclaimed for their ability to produce sophisticated medallion allover, and garden designs of classical Persian inspiration, with an added vitality and boldness.

The wool quality and rich color of the Bakhtiari rug is also notable, whether they utilize an urban or more tribal design idiom. Some antique Bakhtiari rugs feature especially vibrant and expressive urban Persian rug designs, steeped in classical beauty and resplendent with traditional, classical design elements. Often, when a Bakhtiari rug features a sophisticated composition like this, it will be characterized by impeccable line work and precise drawing. Detail elements tend tone crisp and distinct, with the pattern beautifully articulated. A unique style of antique rugs, Persian Bakhtiari rugs and carpets are an exciting style.

All natural dyes are paramount for the carpet to have more than just decorative value. Beyond that, various dyers had varying levels of skill and invested different lengths of time in dyeing the yarns.  The “quality of color”–its radiance and level of nuance within each color–is centrally important.  Certain rare colors such as Tyrian purple, saffron yellow, cochineal rose and greens add to the carpet’s value

Kerman Lavar Rugs  and antique Kerman Ravar Carpets refer to the same thing – the prestigious carpet-weaving center known as Ravar / Lavar. Ravar or Lavar is a small village located 80 miles north of Kerman. The rugs produced in Raver / Lavar are often included in the general category of Kerman rugs, yet the reputation of this small town surpasses many larger cities. The village of Ravar / Lavar has a long-standing reputation for producing some of the finest rugs in the Kerman region.
Lavar is a trade term and linguistic permutation that is used in the west to describe rugs produced in the village of Ravar. Over the years, other regional towns adapted Ravar’s elegant floral style and impeccable construction techniques. Kerman Lavar rugs are occasionally produced in the nearby city of Rafsanjan and workshops, such as Atiyeh, that specialized in producing later adaptations of Persian Lavar Kerman rugs.

According to explanations developed by historians, Ravar / Lavar rose to prominence in the 1800’s when artisan craftspeople fled the city of Kerman, which was under attack. In the village of Ravar / Lavar , these carpet weavers developed their own style that incorporated voluminous floral patterns woven in an impressive array of colors. Kerman Lavar rugs also include detailed pictorials rendered in a style similar to the pictorial scenes produced in Qum and Isfahan. Many early Kerman Lavar rugs feature kaleidoscopic floral patterns and curvilinear vinescrolls decorated with a variety of vibrant and subdued colors. In the 20th century, regional designs shifted to reflect a European composition, including saturated colors and a rich monochromatic field. Lavar Kerman rugs feature supremely detailed patterns, innovative colors and discontinuous borders with elements that invade neighboring areas. The impeccable craftsmanship, tightly placed knots and exceptionally diverse range of colors set Kerman Lavar rugs apart from those created in Persia’s other great carpet-producing cities.

All natural dyes are paramount for the carpet to have more than just decorative value. Beyond that, various dyers had varying levels of skill and invested different lengths of time in dyeing the yarns.  The “quality of color”–its radiance and level of nuance within each color–is centrally important.  Certain rare colors such as Tyrian purple, saffron yellow, cochineal rose and greens add to the carpet’s value

Kerman Lavar or Raver Rugs  and antique Kerman Ravar Carpets refer to the same thing – the prestigious carpet-weaving center known as Ravar / Lavar. Ravar or Lavar is a small village located 80 miles north of Kerman. The rugs produced in Raver / Lavar are often included in the general category of Kerman rugs, yet the reputation of this small town surpasses many larger cities. The village of Ravar / Lavar has a long-standing reputation for producing some of the finest rugs in the Kerman region

Lavar is a trade term and linguistic permutation that is used in the west to describe rugs produced in the village of Ravar. Over the years, other regional towns adapted Ravar’s elegant floral style and impeccable construction techniques. Kerman Lavar rugs are occasionally produced in the nearby city of Rafsanjan and workshops, such as Atiyeh, that specialized in producing later adaptations of Persian Lavar Kerman rugs.

According to explanations developed by historians, Ravar / Lavar rose to prominence in the 1800’s when artisan craftspeople fled the city of Kerman, which was under attack. In the village of Ravar / Lavar , these carpet weavers developed their own style that incorporated voluminous floral patterns woven in an impressive array of colors. Kerman Lavar rugs also include detailed pictorials rendered in a style similar to the pictorial scenes produced in Qum and Isfahan. Many early Kerman Lavar rugs feature kaleidoscopic floral patterns and curvilinear vinescrolls decorated with a variety of vibrant and subdued colors. In the 20th century, regional designs shifted to reflect a European composition, including saturated colors and a rich monochromatic field. Lavar Kerman rugs feature supremely detailed patterns, innovative colors and discontinuous borders with elements that invade neighboring areas. The impeccable craftsmanship, tightly placed knots and exceptionally diverse range of colors set Kerman Lavar rugs apart from those created in Persia’s other great carpet-producing cities.All natural dyes are paramount for the carpet to have more than just decorative value. Beyond that, various dyers had varying levels of skill and invested different lengths of time in dyeing the yarns.  The “quality of color”–its radiance and level of nuance within each color–is centrally important.  Certain rare colors such as Tyrian purple, saffron yellow, cochineal rose and greens add to the carpet’s value

Antique Persian khamseh Qashqai rugs (sometimes spelled Ghashghai, Kashgai, or other variations) are beautiful and intricate,   Tribal pile rugs. They get their name from Persian nomadic tribes that have lived in what is now southwest Iran for centuries. The Qashqai people lived in central Asia and the Caucasus region for many centuries before moving to their current home region. Because of this diverse history, influences from many regions are apparent in their carpets. Discerning viewers may recognize similarities to the artistic styles of the Turkmen people, Caucasians, and other tribes that live near them today.

Antique Qashqai rugs will typically feature dark reds, saffron golds, and rich blues. These jewel tone rug colors were available to the ancient tribes with vegetable-based dyes, and today they are still often incorporated into the design despite the availability of a wider range of dyes. This is both a tribute to their past and a sign that Qashqai weavers refuse to sacrifice quality for easy-to-use synthetic dyes. Traditionally, the Qashqai tribes wove the designs into the antique rugs from memory, without the help of a pattern to copy.

Many Persian Qashqai rugs also used to feature multiple borders, since this allows the weaver to incorporate even more colors and designs. Some of these Persian rugs feature tassels or fringes along the short ends, though this is not a requirement.

Designs in the fields of these rugs feature many different images. Medallions, geometric shapes, and abstract patterns are common, but so are recognizable objects. The Qashqai people did not write down their history or stories, but would often weave them into their rugs. The antique Persian Qashqai rugs are said to tell tales and record their daily lives. They frequently depict people and animals, but also common household objects, including combs, trees, flowers, and possessions.

These Persian tribal rugs are created on vertical looms by making thousands of knots. The quality of a rug can be judged, in part, based on the density of the knots used to weave the carpet.  The nomadic lifestyle of the Qashqai tribe meant that they required durable and good-quality rugs. This is why authentic antique Persian Qashqai rugs are made from hard-wearing wool and cotton. Although they are soft to the touch, these rugs do not feature a deep, overly thick pile. This is one reason why the Persian Qashqai rugs are highly sought after by modern home-owners who want durable rugs for high-traffic areas.

Today, it is possible to find Qashqai area rugs and runners. These vary in size, but tend to be approximately four feet to nine feet long and four feet to six feet wide. These rugs are often made on cotton foundations with soft wool pile. All natural dyes are paramount for the carpet to have more than just decorative value. Beyond that, various dyers had varying levels of skill and invested different lengths of time in dyeing the yarns.  The “quality of color”–its radiance and level of nuance within each color–is centrally important.  Certain rare colors such as Tyrian purple, saffron yellow, cochineal rose and greens add to the carpet’s value

Antique Isfahan Rugs (or Esfahans Rugs) , claim a very proud tradition among Persian rugs going back to Safavid times in the seventeenth century. Isfahan was then the capital of Persia and many of the court quality carpets of this period that survive today have been attributed to Isfahan. Their designs consist of sublimely delicate patterns of arabesque tendrils, palmettes, and cloud-bands in rich magentas, blues, and saffron golds. 19th century and early twentieth century antique oriental rugs from Isfahan continued the style and consummate technical virtuosity of their classical forerunners, although often with a softer, more decorative palette.

After Isfahan’s success in the garment industry, they expanded their knack for producing fine textiles by weaving some of the greatest rugs ever made in Persia. The city has long been a breeding ground for master weavers. The most famous of these is Sadegh Seirafian who spawned an Isfahan rug weaving dynasty that continues today. Antique Isfahan rugs feature enrapturing designs and luxurious materials that were also used to manufacture garments. Many of the finer carpets from the workshops of master weavers used silk wefts. However, the city’s earliest Isfahan rugs used fine hand-spun cotton.

The weavers and artists in Isfahan gathered inspiration from Persia’s best achievements. They borrowed dramatic spiraling vine-scrolls with deeply re-curved tendrils from the city’s famous buildings. They also featured archetypal Persian designs that were inspired by the art and architecture of Shah Abbas, who ruled the Safavid Empire at its height. Antique Persian rugs from Isfahan incorporate flamboyant architectural medallions and unparalleled arabesques, but the city has another side too. Isfahan rugs and illustrate scenes from Persia’s outstanding literary works. The rugs of Isfahan are exceptionally attractive, captivating and classically Persian. These traits have made antique Isfahan rugs sought after by designers and collectors seeking Persia’s most iconic and archetypal rugs.All natural dyes are paramount for the carpet to have more than just decorative value. Beyond that, various dyers had varying levels of skill and invested different lengths of time in dyeing the yarns.  The “quality of color”–its radiance and level of nuance within each color–is centrally important.  Certain rare colors such as Tyrian purple, saffron yellow, cochineal rose and greens add to the carpet’s value